Analytical and Cross-Cultural Studies in World MusicMichael Tenzer, John Roeder This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures. |
Contents
3 | |
17 | |
CrossCultural Analytical Comparisons | 355 |
Afterword to the Present Book and to Analytical Studies in World Music 2006 | 415 |
Other editions - View all
Analytical and Cross-Cultural Studies in World Music Michael Tenzer,John Roeder Limited preview - 2011 |
Analytical and Cross-Cultural Studies in World Music Michael Tenzer,John Roeder No preview available - 2011 |
Analytical and Cross-cultural Studies in World Music Michael Tenzer,John Barlow Roeder No preview available - 2011 |
Common terms and phrases
ālāp analysis analyzed ASWM Balinese beat beginning biwa cadence cantus cavaquinho changgo chord composed context counterpoint cultural cyclic Dance song descent didjeridu directed progressions dissonance djanba drum duration ensemble Etenraku Ethnomusicology example figure gagaku gamelan genre gong Guillaume de Machaut harmony hichiriki hyô-jô improvisation instruments jazz jegogan junba Kimberley koto lirrga listener Machaut Marett measures melody Michael Tenzer Monk Monk’s Murriny Patha musicians notation octave ostinato ostinato cycle p’ungmul pagode pandeiro patterns percussion performance Peyote songs phrase group piece played players pulsation Pūriyā rāga recording repeated repertory repique repique de mão rhythm rhythmic ryûteki samba shô singers singing sonority Sorriso Aberto sound stanza stroke strophic strophic form structure style syllable tablature tantã techniques tempo tenor Tenzer texture timbral timbre tion tôgaku tonal tones tonic traditional transcription triplum University Press violão vocal voice Wadeye wangga Widdess world music