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THE WALTZ.

But here the Muse with due decorum halts,
And lends her longest petticoat to Waltz.

Observant travellers of every time!
Ye quartos publish'd upon every clime!
Oh, say, shall dull Romaika's heavy round,
Fandango's wriggles, or Bolero's bound;
Can Egypt's Almas-tantalizing group-
Columbia's caperers to the warlike whoop-
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be borne?
Ah, no! from Morier's pages down to Galt's,
Each tourist pens a paragraph for "Waltz."

Shades of those belles whose reign began of
yore,

With George the Third's-and ended long before!

Though in your daughters' daughters yet you
thrive,

Burst from your lead, and be yourselves alive!
Back to the ball-room speed your spectred host;
Fools' Paradise is dull to that you lost.
No treacherous powder bids conjecture quake;
No stiff-starch'd stays make meddling fingers

ache

(Transferr'd to those ambiguous things that ape
Goats in their visage, women in their shape);
No damsel faints when rather closely press'd,
But more caressing seems when most caress'd;
Superfluous hartshorn and reviving salts,
Both banish'd by the sovereign cordial,
"Waltz."

Seductive Waltz!-though on thy native

shore

Even Werter's self proclaim'd thee half a

whore;

Werter-to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind-
Though gentle Genlis, in her strife with Stael,
Would even proscribe thee from a Paris ball;
The fashion hails-from countesses to queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns-if nothing else at least our heads;
With thee even clumsy cits attempt to bounce,
And cockneys practise what they can't pro-

nounce.

Gods! how the glorious theme my strain exalts,
And rhyme finds partner rhyme in praise of

Waltz!"

Blest was the time Waltz chose for her debut:
The court, the Regent, like herself, were new;
New face for friends, for foes some new rewards;
New ornaments for black and royal guards;
New laws to hang the rogues that roar'd for
bread;

New coins (most new) to follow those that fled;
New victories-nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses-no, old-and yet 'tis true,
Though they be old, the thing is something new:
Each new, quite new-except some ancient
tricks),

New white-sticks, gold-sticks, broom-sticks, all

new sticks!

With vests or ribbons, deck'd alike in hue,

* Dancing girls.

New troopers strut, new turncoats blush in blue;
what say you?
So saith the muse! my
Such was the time when Waltz might best
maintain

Her new preferments in this novel reign ;
Such was the time, nor ever yet was such;
Hoops are no more, and petticoats not much;
Morals and minuets, virtue and her stays,
The ball begins-the honours of the house
And tell-tale powder-all have had their days.
First duly done by daughter or by spouse,
Some potentate-or royal or serene-
With Kent's gay grace, or sapient Glo'ster's
mien,

Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the bosom free.
That spot where hearts were once supposed to
be;

Round all the confines of the yielded waist,
The stranger's hand may wander undisplaced;
The lady's in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they
trip,

One hand reposing on the royal hip';
The other to the shoulder no less royal,
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of Asterisk-and Lady-Blank;
Sir-Such-a-one-with those of fashion's host,
For whose blest surnames-vide Morning Post
(Or if for that impartial print too late,
Search Doctors' Commons six months from my
date)-

Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If "nothing follows all this palming work.'
True, honest Mirzy!-you may trust my rhyme--
Something does follow at a fitter time;
The breast thus publicly resigned to man
In private may resist him—if it can.

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It is to love the lovely beldames still!
Thou ghost of Queensberry! whose judging

sprite

Satan may spare to peep a single night,
Pronounce if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish and ill-dissembled flame:
For prurient nature still will storm the breast-
Who, tempted thus, can answer for the rest?

But ye-who never felt a single thought,
For what our morals are to be, or ought:
Who wisely wish the charms you view to reap,

t Jenkinson.

Say-would you make those beauties quite so cheap?

Hot from the hands promiscuously applied, Round the slight waist, or down the flowing side,

Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once love's most endearing thought resign,
To press the hand so press'd by none but thine;
To gaze upon that eye which never met
Another's ardent look without regret ;
Approach the lip which all, without restraint,
Come near enough- if not to touch-to taint;
If such thou lovest-love her then no more,

Or give-like her-caresses to a score;
Her mind with these is gone, and with it go
The little left behind it to bestow.

Voluptuous Waltz! and dare I thus blaspheme? Thy bard forgot thy praises were his theme. Terpsichore, forgive!--at every ball My wife now waltzes-and my daughters shall; My son-(or stop-'tis needless to inquire-These little accidents should ne'er transpire; Some ages hence our genealogic tree

Will wear as green a bough for him as me)Waltzing shall rear, to make our name amends, Grandsons for me-in heirs to all his friends.

H

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A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION FOR HIS GENIUS,

RESPECT FOR HIS CHARACTER,

AND GRATITUDE FOR HIS FRIENDSHIP,

THIS PRODUCTION IS INSCRIBED

BY HIS OBLIGED AND AFFECTIONATE SERVANT,

LONDON, May 1813.

BYRON.

ADVERTISEMENT.

THE tale which these disjointed fragments present, is founded upon circumstances now less common in the East than formerly; either because the ladies are more circumspect than in the "olden time," or because the Christians have better fortune, or less enterprise. The story, when entire, contained the adventures of a female slave, who was thrown, in the Mussulnan manner, into the sea for infidelity, and avenged by a young Venetian, her lover, at the time the Seven Islands were possessed by the Republic of Venice, and soon after the Arnauts were beaten back from the Morea, which they had ravaged for some time subsequent to the Russian invasion. The desertion of the Mainotes, on being refused the plunder of Misitra, led to the abandonment of that enterprise, and to the desolation of the Morea, during which the cruelty exercised on all sides was unparalleled even in the annals of the faithful.

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff, t
First greets the homeward-veering skiff,
High o'er the land he saved in vain-
When shall such hero live again?

Fair clime! where every season smiles
Benignant o'er those blessed isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to loneliness delight.
There mildly dimpling, Ocean's cheek

Giaour-an Infidel. The g is sounded soft,

as before e in English.

A tomb above the rocks on the promontory,

Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave;
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That wakes and wafts the odours there!
For there-the Rose o'er crag or vale,
Sultana of the Nightingale,*

The maid for whom his melody,-
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchill'd by snows,
Far from the winters of the West,

*The attachment of the nightingale to the

by some supposed the sepulchre of Themistocles.rose is a well-known Persian fable.

By every breeze and season blest,
Returns the sweets by nature given
In softest incense back to heaven;
And grateful yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that love might share,
And many a grotto meant for rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the passing peaceful prow,
Till the gay mariner's guitar

Is heard, and seen the evening star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the
prey,
And turn to groan his roundelay.
Strange- that where nature loved to trace,
As if for gods a dwelling-place,

And every grace and charm hath mix'd
Within the paradise she fix'd-
There man, enamour'd of distress,
Should mar it into wilderness,

And trample, brute-like, o'er each flower
That tasks not one laborious hour;
Nor claims the culture of his hand
To bloom along the fairy land,
But springs as to preclude his care,
And sweetly woos him-but to spare.
Strange that where all is peace beside,
There passion riots in her pride,
And lust and rapine wildly reign,
To darken o'er the fair domain.
It is as though the fiends prevail'd
Against the seraphs they assail'd,
And, fix'd on heavenly thrones, should dwell
The freed inheritors of hell;

So soft the scene, so form'd for joy,
So curst the tyrants that destroy !

He who hath bent him o'er the dead
Ere the first day of death is fled,
The first dark day of nothingness,
The last of danger and distress
(Before Decay's effacing fingers

Have swept the lines where beauty lingers),
And mark'd the mild angelic air-
The rapture of repose that's there-
The fix'd yet tender traits that streak
The languor of the placid cheek,
And-but for that sad shrouded eye,

That fires not, wins not, weeps not now--
And but for that chill, changeless brow,
Where cold Obstruction's apathy
Appals the gazing mourner's heart,
As if to him it could impart
The doom he dreads, yet dwells upon-
Yes, but for these and these alone,

Some moments, ay, one treacherous hour,
He still might doubt the tyrant's power,
So fair, so calm, so softly seal'd,
The first, last look by death reveal'd!
Such is the aspect of this shore-

'Tis Greece, but living Greece no more!
So coldly sweet, so deadly fair,
We start for soul is wanting there.
Hers is the loveliness in death,

That parts not quite with parting breath;
But beauty with that fearful bloom,
That hue which haunts it to the tomb-
Expression's last receding ray,

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Clime of the unforgotten brave!
Whose land from plain to mountain-cave
Was Freedom's home, or Glory's grave-
Shrine of the mighty! can it be
That this is all remains of thee?
Approach, thou craven crouching slave:
Say, is not this Thermopyla?
These waters blue that round you lave,
O servile offspring of the free-
Pronounce what sea, what shore is this?
The gulf, the rock of Salamis !
These scenes, their story not unknown,
Arise, and make again your own;
Snatch from the ashes of your sires
The embers of their former fires;
And he who in the strife expires
Will add to theirs a name of fear,
That Tyranny shall quake to hear,
And leave his sons a hope, a fame,
They too will rather die than shame:
For Freedom's battle once begun,
Bequeathed by bleeding Sire to Son,
Though baffled oft, is ever won.
Bear witness, Greece, thy living page!
Attest it many a deathless age!
While kings, in dusty darkness hid,
Have left a nameless pyramid,

Thy heroes-though the general doom
Hath swept the column from their tomb,
A mightier monument command,
The mountains of their native land!
There points thy Muse to stranger's eye
The graves of those that cannot die!
"Twere long to tell, and sad to trace,
Each step from splendour to disgrace:
Enough-no foreign foe could quell
Thy soul, till from itself it fell,
Yes! Self-abasement paved the way
To villain-bonds and despot sway.
What can he tell who treads thy shore?

No legend of thine olden time,
No theme on which the muse might soar
High as thine own in days of yore,

When man was worthy of thy clime. The hearts within thy valleys bred, The fiery souls that might have led Thy sons to deeds sublime, Now crawl from cradle to the grave, Slaves-nay, the bondsmen of a slave,* And callous, save to crime; Stain'd with each evil that pollutes Mankind, where least above the brutes; Without even savage virtue blest, Without one free or valiant breast. Still to the neighbouring ports they waft Proverbial wiles, and ancient craft; In this the subtle Greek is found,

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For this, and this alone, renown'd.
In vain might Liberty invoke
The spirit to its bondage broke,
Or raise the neck that courts the yoke:
No more her sorrows I bewail,
Yet this will be a mournful tale,
And they who listen may believe
Who heard it first had cause to grieve.

Far, dark, along the blue sea glancing, The shadows of the rocks advancing, Start on the fisher's eye like boat Of island-pirate or Mainote; And fearful for his light caïque, He shuns the near but doubtful creek: Though worn and weary with his toil, And cumber'd with his scaly spoil, Slowly, yet strongly, plies the oar, Till port Leone's safer shore Receives him by the lovely light That best becomes an Eastern night.

Who thundering comes on blackest steed, With slacken'd bit and hoof of speed? Beneath the clattering iron's sound The cavern'd echoes wake around In lash for lash and bound for bound; The foam that streaks the courser's side, Seems gather'd from the ocean-tide: Though weary waves are sunk to rest, There's none within his rider's breast: And though to-morrow's tempest lower, Tis calmer than thy heart, young Giaour! I know thee not, I loathe thy race, But in thy lincaments I trace What time shall strengthen, not efface! Though young and pale, that sallow front Is scathed by fiery passion's brunt: Though bent on earth thine evil eye, As meteor-like thou glidest by, Right well I view and deem thee one Whom Othman's sons should slay or shun.

On-on he hasten'd, and he drew My gaze of wonder as he flew: Though like a demon of the night He pass'd, and vanish'd from my sight; His aspect and his air impress'd A troubled memory on my breast, And long upon my startled ear, Rung his dark courser's hoofs of fear. He spurs his steed; he nears the steep, That, jutting, shadows o'er the deep; He winds around: he hurries by ; The rock relieves him from mine eye; For well I ween unwelcome he Whose glance is fix'd on those that flee: And not a star but shines too bright On him who takes such timeless flight, He wound along-but ere he pass'd One glance he snatch'd, as if his last, A moment check'd his wheeling steed, A moment breathed him from his speed, A moment on his stirrup stoodWhy looks he o'er the olive wood?The crescent glimmers on the hill,

The Mosque's high lamps are quivering still;

Though too remote for sound to wake

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That sound had burst his waking dream,
As Slumber starts at owlet's scream.
The spur hath lanced his courser's sides;
Away, away, for life he rides-
Swift as the hurl'd on high jerreed t
Springs to the touch his startled steed;
The rock is doubled, and the shore
Shakes with the clattering tramp no more;
The crag is won, no more is seen

His Christian crest and haughty mien.-
'Twas but an instant he restrain'd
That fiery barb so sternly rein'd;
'Twas but a moment that he stood,
Then sped as if by death pursued:
But in that instant o'er his soul
Winters of Memory seem'd to roll,
And gather in that drop of time
A life of pain, an age of crine.
O'er him who loves, or hates, or fears,
Such moment pours the grief of years:
What felt he then, at once opprest
By all that most distracts the breast?
That pause, which ponder'd o'er his fate,
Oh, who its dreary length shall date!
Though in Time's record nearly nought,
It was Eternity to Thought!

For infinite as boundless space

The thought that Conscience must embrace,
Which in itself can comprehend
Woe without name, or hope, or end.

The hour is past, the Giaour is gone:
And did he fly or fall alone?
Woe to that hour he came or went!
The curse of Hassan's sin was sent
To turn a palace to a tomb:
He came, he went, like the Simoom,
That Harbinger of fate and gloom,
Beneath whose widely-wasting breath

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