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Introduction to Shakespeare's Plays, Containing an Essay on Oratory
No preview available - 2018
action affect againſt appear Attorney audience Bart beautiful become Capt caſe Charles CICERO common DEMOSTHENES Edward eloquence emphaſis Eſq example expreſſion eyes fall feeling fets fire firſt force four frequently friends George give grief hand head heart Henry horror idea imagination important Inſtance James John Joſeph Junior King Lord marked maſter meaning mind Miſs moſt muſt nature neceſſary never Newcaſtle Norwich notes obſerved offer orator oratory painting paſſages paſſions pauſe perfect perſon Peter preſent Price printed proper Rage reading reaſon require Richard Richmond Right Robert royal paper Samuel ſay ſee ſenſe Shakeſpeare ſhall ſhould ſome ſpeak ſpeaker ſubject ſuch taſte thee theſe thing Thomas thoſe thou three ſets tone twelve ſets uſe virtue voice William
Page 41 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not , fatal vision , sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Page 48 - ... creeping like snail Unwillingly to school. And then the Lover, Sighing like furnace, with a woeful ballad Made to his mistress
Page 41 - Mine eyes are made the fools o' the other senses, Or else worth all the rest ; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before.
Page 35 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 38 - O my soul's joy ! If after every tempest come such calms, May the winds blow till they have waken'd death ! And let the labouring bark climb hills of seas, Olympus-high ; and duck again as low As hell's from heaven ! If it were now to die, 'Twere now to be most happy ; for, I fear, My soul hath her content so absolute, That not another comfort like to this Succeeds in unknown fate.
Page 30 - He is the Rock, his work is perfect : for all his ways are judgment: a God of truth and without iniquity, just and right is he.
Page 40 - Which reason, joining or disjoining, frames All what we' affirm or what deny, and call Our knowledge or opinion ; then retires Into her private cell, when nature rests. Oft in her absence mimic fancy wakes To imitate her; but, misjoining shapes, Wild work produces oft, and most in dreams ; 111 matching words and deeds long past or late.
Page 30 - For the Lord's portion is his people ; Jacob is the lot of his inheritance. He found him in a desert land, and in the waste howling wilderness; he led him about, he instructed him, he kept him as the apple of his eye.