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The three first Parts have been in print for some time; various circumstances prevented my finishing the work, and delayed its publication. I hope I have succeeded in availing myself to some extent of the more important additions that have been made to Shakespearian criticism, especially as regards "Hamlet," since I began my task. I do not profess to have read all, or nearly all, that has been published on the subject; but I can honestly say that the number of works referred to in the course of this book does not include one half of those I have consulted.

It only remains for me to thank most sincerely those friends, some of them men whose names are honoured in literature, who have helped me with their advice and encouragement. To Mr. Frederic Broughton, who has given me most valuable and timely aid in the revision of the work, I owe especial thanks. I also may perhaps be allowed to express my gratitude to my amanuensis, Mr. G. J. White, who, though suffering from a long and painful illness, has by his care and intelligence in verifying quotations and authorities, and in the laborious collation* of the first Quarto (1603) with the text of the Cambridge edition, been of invaluable service to me.

*See Foot-note, page 163,

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CONTENTS.

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151-154

154-157

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On the soliloquy, "Now might I do it pat"

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Closet-scene from the Quarto 1603 and the Cambridge

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M. Scene between the Queen and Horatio from the Quarto
1603, omitted in the Cambridge edition

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N. King's speech to the Queen from the Quarto 1603
corresponding to his apology in Act IV., Scene 3, of

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