Unconformities in Shakespeare’s History Plays |
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Page 62
... conflict and resolution . - a To what extent the figurative dimension of Richard III is also a religious dimension has been a matter of disagreement and extreme opinions . In 1944 and it is perhaps not irrelevant to observe that this ...
... conflict and resolution . - a To what extent the figurative dimension of Richard III is also a religious dimension has been a matter of disagreement and extreme opinions . In 1944 and it is perhaps not irrelevant to observe that this ...
Page 101
... conflict is developed between ambition and opportunism on the one hand and legitimacy weakened by folly and irresolution on the other . Richard's misgovernment belatedly makes its appearance , without preparation , in the last scene of ...
... conflict is developed between ambition and opportunism on the one hand and legitimacy weakened by folly and irresolution on the other . Richard's misgovernment belatedly makes its appearance , without preparation , in the last scene of ...
Page 152
... conflict they present between the public interest and private joy and suffering is indeed at the heart of the play , and all the contrasts already discussed between neighbouring scenes relate to it.20 Both the pageantry and ' the ...
... conflict they present between the public interest and private joy and suffering is indeed at the heart of the play , and all the contrasts already discussed between neighbouring scenes relate to it.20 Both the pageantry and ' the ...
Contents
The Whole Contention One Play into | 19 |
Treachery and Dissension Two Plays into | 38 |
Plots and Prophecies | 59 |
Copyright | |
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action actually already Anne appearance Arden Bastard battle becomes beginning Bolingbroke brother Buckingham called cause character Clarence comes complete concerned Contention continued course critics crown curse Dauphin death direction doubt Duke early Edward Elizabeth Elizabethan England English expectations explain fact Falstaff final France French gives Gloucester hand Harry Henry IV Henry VI Henry's history plays Holinshed important indicate intentions interesting introduced John Justice King Henry King John king's later least lines look Lord Margaret matter mentioned murder natural never obviously once opening original perhaps person planned plot political present prince probably Queen reason reference remains Richard Richard II says scene seems sense Shakespeare soliloquy sources speaks speech stage structure suggested Talbot tells theme turn victory Warwick whole Wilson York