Commentary and Control in Shakespeare's Plays |
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Page 154
... Enobarbus , even after moving to the camp of reason and Rome.45 He knows both Cleopatra's sluttishness and her splendour , and in the play's most famous speech seems to praise a synthesis of both : ' for vilest things Become themselves ...
... Enobarbus , even after moving to the camp of reason and Rome.45 He knows both Cleopatra's sluttishness and her splendour , and in the play's most famous speech seems to praise a synthesis of both : ' for vilest things Become themselves ...
Page 156
... Enobarbus did not encompass until too late . Enobarbus is not a shallow commentator , but a character in his own right , tragically mistaken . Impersonal commentators do not face tragic dilemmas . " 50 Up to the point when the play ...
... Enobarbus did not encompass until too late . Enobarbus is not a shallow commentator , but a character in his own right , tragically mistaken . Impersonal commentators do not face tragic dilemmas . " 50 Up to the point when the play ...
Page 227
... Enobarbus who ' experiences the only conflict which leads to a definite resolution ' . 51 J. L. Simmons sees the play as a tragedy that emerges from a comic chrysalis , leaving Enobarbus behind : " The Comic Pattern and Vision in Antony ...
... Enobarbus who ' experiences the only conflict which leads to a definite resolution ' . 51 J. L. Simmons sees the play as a tragedy that emerges from a comic chrysalis , leaving Enobarbus behind : " The Comic Pattern and Vision in Antony ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words