Commentary and Control in Shakespeare's Plays |
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Page 31
... Henry VI plays . The emblem- atic features of this one may have made a stronger impression , as a replacement for commentary , because of the absence of a central or marginal commentator . Henry himself comes closest to adopting that ...
... Henry VI plays . The emblem- atic features of this one may have made a stronger impression , as a replacement for commentary , because of the absence of a central or marginal commentator . Henry himself comes closest to adopting that ...
Page 32
... Henry's saintliness has developed to the extent of his having the gift of prophecy , justified in Hall's chronicle if not in fact . He addresses young Henry , Earl of Richmond : Come hither , England's hope : If secret powers Suggest ...
... Henry's saintliness has developed to the extent of his having the gift of prophecy , justified in Hall's chronicle if not in fact . He addresses young Henry , Earl of Richmond : Come hither , England's hope : If secret powers Suggest ...
Page 209
... Henry V ' . 31 Tillyard makes the point on p . 272 that ' It is not the Prince who deceives , it is Falstaff who deceives himself by wishful thinking ' . 32 John Palmer notes the change in Falstaff on pp . 192 ff . , but still likes him ...
... Henry V ' . 31 Tillyard makes the point on p . 272 that ' It is not the Prince who deceives , it is Falstaff who deceives himself by wishful thinking ' . 32 John Palmer notes the change in Falstaff on pp . 192 ff . , but still likes him ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words