Commentary and Control in Shakespeare's Plays |
From inside the book
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Page 7
... Beginning with the spectator , going on to works of art , and ending with the artist , this book is arranged to reflect a struggle to break out . The artist in question found his way out , in his medium ; the conviction underlying this ...
... Beginning with the spectator , going on to works of art , and ending with the artist , this book is arranged to reflect a struggle to break out . The artist in question found his way out , in his medium ; the conviction underlying this ...
Page 107
... beginning of the play . Important to Hamlet's fasci- nation is the fact that the Prince at times comes close to forfeiting them . He has bursts of cruelty and rashness , with Ophelia , with Polonius , with his ' now could I drink hot ...
... beginning of the play . Important to Hamlet's fasci- nation is the fact that the Prince at times comes close to forfeiting them . He has bursts of cruelty and rashness , with Ophelia , with Polonius , with his ' now could I drink hot ...
Page 217
... beginning of the play by R. G. Moulton on pp . 204-5 of Shakespeare as a Dramatic Artist , and as a Stoic plain man and commentator by O. J. Campbell in ' The Salvation of Lear ' , p . 102 . 35 In a sensitive and challenging reading of ...
... beginning of the play by R. G. Moulton on pp . 204-5 of Shakespeare as a Dramatic Artist , and as a Stoic plain man and commentator by O. J. Campbell in ' The Salvation of Lear ' , p . 102 . 35 In a sensitive and challenging reading of ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words