Commentary and Control in Shakespeare's Plays |
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Page 13
... Commentary in Shakespearean Tragedy ' : some characters ' can make speeches which invite consideration as possible interpretations of the action ' . Frye qualifies this in sensible remarks on critical ap- proaches . ' Choral commentary ...
... Commentary in Shakespearean Tragedy ' : some characters ' can make speeches which invite consideration as possible interpretations of the action ' . Frye qualifies this in sensible remarks on critical ap- proaches . ' Choral commentary ...
Page 39
... commentary , which corresponds with a feeling that the plays question them , for instance in the contrasting figures of Henry VI and Winchester , or in Richard's exploitation of apparent piety , before finally reasserting them in ...
... commentary , which corresponds with a feeling that the plays question them , for instance in the contrasting figures of Henry VI and Winchester , or in Richard's exploitation of apparent piety , before finally reasserting them in ...
Page 185
... commentary is still a matter of emotional response , without which there is no tragedy . One advance on Titus Andronicus and Romeo and Juliet is that we have commentary also from the protagonists , as we witness their inner and outer ...
... commentary is still a matter of emotional response , without which there is no tragedy . One advance on Titus Andronicus and Romeo and Juliet is that we have commentary also from the protagonists , as we witness their inner and outer ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words