Commentary and Control in Shakespeare's Plays |
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Page 14
... critical approach I am pleading for ought to put me in a position to distinguish it in context without running foul of objections like those mentioned above . Consideration of this ' multi - conscious ' spectator response points the way ...
... critical approach I am pleading for ought to put me in a position to distinguish it in context without running foul of objections like those mentioned above . Consideration of this ' multi - conscious ' spectator response points the way ...
Page 79
... critical testimony with regard to these history plays is still in favour of finding them to be expressions of Shakespeare's ortho- doxy or conservatism , of his adherence to principles thought to be dominant in his day . But this has ...
... critical testimony with regard to these history plays is still in favour of finding them to be expressions of Shakespeare's ortho- doxy or conservatism , of his adherence to principles thought to be dominant in his day . But this has ...
Page 234
... Critical Quarterly Etudes Anglaises Essays in Criticism ELH Journal of English Literary History ES English Studies JAAC Journal of Aesthetics and Art Criticism JEGP Journal of English and Germanic Philology MLQ Modern Language Quarterly ...
... Critical Quarterly Etudes Anglaises Essays in Criticism ELH Journal of English Literary History ES English Studies JAAC Journal of Aesthetics and Art Criticism JEGP Journal of English and Germanic Philology MLQ Modern Language Quarterly ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words