Commentary and Control in Shakespeare's Plays |
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Page 114
Peter Bilton. The evil that has easily been set in motion can not as easily be stopped , however ; even when monstrously preying on itself or meaning to do good , it brings its evil ends about . Goneril and Regan and Cornwall and Edmund ...
Peter Bilton. The evil that has easily been set in motion can not as easily be stopped , however ; even when monstrously preying on itself or meaning to do good , it brings its evil ends about . Goneril and Regan and Cornwall and Edmund ...
Page 115
... Evil ' has been given as an even pithier summary of the play's statement , 48 and perhaps a more satis- factory one , since it allows for emotional as well as intellectual apprehension of how evil can take hold and spread , for instance ...
... Evil ' has been given as an even pithier summary of the play's statement , 48 and perhaps a more satis- factory one , since it allows for emotional as well as intellectual apprehension of how evil can take hold and spread , for instance ...
Page 138
... evil and the cure of the failings went hand in hand . But evil is constant , nor need one have evident weaknesses to bring it upon oneself or to cause it . These plays show evil taking hold of the main characters at those points where ...
... evil and the cure of the failings went hand in hand . But evil is constant , nor need one have evident weaknesses to bring it upon oneself or to cause it . These plays show evil taking hold of the main characters at those points where ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words