Commentary and Control in Shakespeare's Plays |
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Page 37
... fears of the third citizen will be more than endorsed by the audience : the immediately preceding scene shows precisely the emulation that he fears . The spectators will probably not view the impending struggle as equal , having seen ...
... fears of the third citizen will be more than endorsed by the audience : the immediately preceding scene shows precisely the emulation that he fears . The spectators will probably not view the impending struggle as equal , having seen ...
Page 168
... fears for the outcome , that keep us in suspense . The commentaries , with their relations to human vice and virtue and to divine agencies , see to it that at the level of morality and sympathy all is clear , and that no strong fears ...
... fears for the outcome , that keep us in suspense . The commentaries , with their relations to human vice and virtue and to divine agencies , see to it that at the level of morality and sympathy all is clear , and that no strong fears ...
Page 182
... fears that arise in the spectator as he follows the fortunes of characters or factions that he likes or dislikes , hopes and fears bound up with his feeling of how victories and defeats affect his country . Commentary usually comes in ...
... fears that arise in the spectator as he follows the fortunes of characters or factions that he likes or dislikes , hopes and fears bound up with his feeling of how victories and defeats affect his country . Commentary usually comes in ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words