Commentary and Control in Shakespeare's Plays |
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Page 100
... move into Act V , all one long scene of unravelling , with Feste early making the point that one profits from knowledge of oneself and of true friends and foes . The priest confirms that since marrying Olivia and Sebastian he has only moved ...
... move into Act V , all one long scene of unravelling , with Feste early making the point that one profits from knowledge of oneself and of true friends and foes . The priest confirms that since marrying Olivia and Sebastian he has only moved ...
Page 106
... move and counter - move has a tremendous dramatic grip , and Hamlet contri- butes to the tension by telling us his plans . But this is no absolute criterion , on its own , for sympathy : Claudius 106.
... move and counter - move has a tremendous dramatic grip , and Hamlet contri- butes to the tension by telling us his plans . But this is no absolute criterion , on its own , for sympathy : Claudius 106.
Page 113
... move towards Dover . Edgar has to learn that one is never at the worst , in his encounter with his blind father , who realizes that he stumbled when he saw but must still be led to accept that endurance and ripeness are all . This ...
... move towards Dover . Edgar has to learn that one is never at the worst , in his encounter with his blind father , who realizes that he stumbled when he saw but must still be led to accept that endurance and ripeness are all . This ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words