Commentary and Control in Shakespeare's Plays |
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Page 26
... perhaps should be mentioned first is structural . Whereas in the first part there are very few and only brief instances of characters achieving close contact with the audience , this play is constructed so as to bring us close to one ...
... perhaps should be mentioned first is structural . Whereas in the first part there are very few and only brief instances of characters achieving close contact with the audience , this play is constructed so as to bring us close to one ...
Page 115
... perhaps a more satis- factory one , since it allows for emotional as well as intellectual apprehension of how evil can take hold and spread , for instance -and such dual apprehension is what the poetry invites.49 The imagery of blood ...
... perhaps a more satis- factory one , since it allows for emotional as well as intellectual apprehension of how evil can take hold and spread , for instance -and such dual apprehension is what the poetry invites.49 The imagery of blood ...
Page 169
... Perhaps an Iago or a Iachimo has been at work : ' You are abus'd , and by some putter - on That will be damn'd for't ; ' ( II.1.140 ) . The accusation can not be true : If it be so , We need no grave to bury honesty : There's not a ...
... Perhaps an Iago or a Iachimo has been at work : ' You are abus'd , and by some putter - on That will be damn'd for't ; ' ( II.1.140 ) . The accusation can not be true : If it be so , We need no grave to bury honesty : There's not a ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words