Commentary and Control in Shakespeare's Plays |
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Page 54
... story for its own sake , that is for diversion solely , or whether it moves to a level of greater thoughtfulness , where questions of value are raised ; and if it does , whether story and value coƶperate , so that artistic design and ...
... story for its own sake , that is for diversion solely , or whether it moves to a level of greater thoughtfulness , where questions of value are raised ; and if it does , whether story and value coƶperate , so that artistic design and ...
Page 108
... story.20 At any rate , though it is only the story he can relate , we willingly let him take charge : his sympathies have been like ours so long that we know that he also feels like us over the loss of the ' sweet prince ' . The ...
... story.20 At any rate , though it is only the story he can relate , we willingly let him take charge : his sympathies have been like ours so long that we know that he also feels like us over the loss of the ' sweet prince ' . The ...
Page 193
... story and character level , Shakespeare's lines are , so to speak , transparent . If the language turns opaque , so that we find our search for in- formation hampered by the style , it may be that some exceptional aspect of character is ...
... story and character level , Shakespeare's lines are , so to speak , transparent . If the language turns opaque , so that we find our search for in- formation hampered by the style , it may be that some exceptional aspect of character is ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words