Commentary and Control in Shakespeare's Plays |
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Page 201
... Tradition and Originality in Shakespeare's Richard III ' , and in Kom- mentar zu Shakespeares Richard III ( translated into English and somewhat condensed : A Commentary on Shakespeare's Richard III ) . 29 Thus Reese argues on p . 210 ...
... Tradition and Originality in Shakespeare's Richard III ' , and in Kom- mentar zu Shakespeares Richard III ( translated into English and somewhat condensed : A Commentary on Shakespeare's Richard III ) . 29 Thus Reese argues on p . 210 ...
Page 209
... traditional association of comedy with disorder ' , and used it ' to reinforce his dramatic statement , but never primarily to evoke sympathy ' ( p . 89 ) . 35 Cf. Muriel Bradbrook , Shakespeare and Elizabethan Poetry , p . 199 . 36 ...
... traditional association of comedy with disorder ' , and used it ' to reinforce his dramatic statement , but never primarily to evoke sympathy ' ( p . 89 ) . 35 Cf. Muriel Bradbrook , Shakespeare and Elizabethan Poetry , p . 199 . 36 ...
Page 213
... tradition of pastoral criticism ( see pp . 12-14 ) . 39 W. I. D. Scott , O. J. Campbell in ' Jaques ' , and E. E. Stoll in ' Shakespeare , Marston , and the Malcontent Type ' discuss the nature and significance of Jaques ' melancholy ...
... tradition of pastoral criticism ( see pp . 12-14 ) . 39 W. I. D. Scott , O. J. Campbell in ' Jaques ' , and E. E. Stoll in ' Shakespeare , Marston , and the Malcontent Type ' discuss the nature and significance of Jaques ' melancholy ...
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Common terms and phrases
action aesthetic All's Antony and Cleopatra Apemantus argues artist attitude audience sympathies Berowne Bertram Bilton Bolingbroke Brutus choric chorus Claudio comic Coriolanus critical death discusses dramatic authority dramatist dream Duke E. K. Chambers Elizabethan emotional Enobarbus evil experience Falstaff Faulconbridge feel Feste final Flavius Fool Friar Laurence gives Hamlet hear Helena Henry hero honour Iago illusion Imogen interpretation irony Jaques John judgement Julius Caesar King L. C. Knights Lear Lear's Leontes lovers Macbeth main characters Marcus Measure for Measure mind moral Muriel Bradbrook nature Othello Pericles play's plot political Prince Problem Plays Prospero response Richard Richard III role romance Romeo and Juliet Rosalind satirical says scene seems sense Shake Shakespeare Shakespearian Shylock speaks spectator speech stage structure theme Thersites thou Tillyard Timon of Athens Titus Andronicus Touchstone tragedy tragic Troilus and Cressida Wilson Knight words