JahrbuchQuelle & Meyer, 1987 Vols. for 1964- include Shakespeare-Bibliographie. |
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Page 100
... forms and figures in Shakespeare , it is not only an important feature of his theatrical craft , but a central instrument of ... form may be used with such formality or force as to attract atten- tion to processes of art , clearly though ...
... forms and figures in Shakespeare , it is not only an important feature of his theatrical craft , but a central instrument of ... form may be used with such formality or force as to attract atten- tion to processes of art , clearly though ...
Page 104
... form whose contraction is not only characteristic of the speaker's rhetorical pith , purity , and economy , but is also a register for emo- tion . The event is relived , in imaginative apprehension . The few compas- sionate and ...
... form whose contraction is not only characteristic of the speaker's rhetorical pith , purity , and economy , but is also a register for emo- tion . The event is relived , in imaginative apprehension . The few compas- sionate and ...
Page 185
... forms and produced by an age historically placed between the middle ages and the modern . To say that Belsey adds ... form of human life " ( p . 46 ) exhibited by Hamlet or such usages of the plural pronoun as his " we tell tales and ...
... forms and produced by an age historically placed between the middle ages and the modern . To say that Belsey adds ... form of human life " ( p . 46 ) exhibited by Hamlet or such usages of the plural pronoun as his " we tell tales and ...
Contents
Bemerkungen zur Verwandlung | 7 |
A Bakhtinian View of the Comic in Shakespeare By Man | 27 |
Measure for Measure | 40 |
Copyright | |
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Alkestis Auberlen audience Aufführung Autoren besonders book Botho Strauß Buch Bühne Burgundy carnivalesque character chinesischen Comedy comic Cymbeline deutschen Deutschen Shakespeare-Gesellschaft discourse drama dramatic Dramen Eagleson edition editorischen elisabethanischen englischen ersten essays Euripides Figuren first Gastspiel gives Gloucester great Hamlet historical history Hoghton Honigmann ideas image Imogen Inszenierung Interpretation Jahre John Jonsons King Lear Komödie Kritiken language läßt levelling London Macbeth makes meaning Measure for Measure Merchant of Venice Michael Midsummer Night's Dream Mikroformen modern München Murphy muß Nachrichten narration narrative neue Oberon Onions Othello performance Peter play plays Posthumus Prozeß questions read reading Renaissance Richard III romance Royal Shakespeare Company Satire Satyrspiel scene Schauspieler schen schließlich Schluß Schoenbaum sense Shake Shakespeare's Sommernachtstraum sowie speare Spenser Spielzeit stage story Stück Studenten Studie Tagblatt take Teaching Shakespeare Text Theater Thomas three time tion Titania Titus Andronicus Tradition Tragedy University Press unsere Winter's Tale Wittreich work world Zeitung