Art History for Filmmakers: The Art of Visual Storytelling
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms.
Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema.
Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams.
Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
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ABSTRACT EXPRESSIONISM American ART AND CINEMA art history artists artwork beauty blue body horror Bruegel camera obscura Caravaggio Cardiff CHAPTER EIGHT MODERN CHAPTER TWO REALISM characters chiaroscuro Chirico cinematographer classical color composition create critic CULTURE AND STORYTELLING David depiction developed director DISCUSSION QUESTIONS Django dramatic dream Dutch EIGHT MODERN MOVEMENTS European example Expressionist fantasy film filmmakers FURTHER READING FURTHER VIEWING Gainsborough genre Getty Images Goya Greek Greenaway Guillermo del Toro hero heroic history painting HOKUSAI Hopper human ideas imagination influence inspired Jack Cardiff Jan Švankmajer Kandinsky Kobal Collection landscape light look Manet Martin Scorsese Michael minimalist narrative nineteenth century nude painters perspective Peter PETER GREENAWAY photography picture popular portrait Rembrandt Renaissance representation road movie scene SEX AND VIOLENCE sexual shot Storaro story STUDY style sublime Surrealism surrealist symbolic twentieth century ukiyo-e Velázquez Venus Vermeer viewer visual art visual culture Vittorio Storaro Western woman