The Place of the Audience: Cultural Geographies of Film ConsumptionIt has been a recurring complaint both within and against film studies that it has largely ignored the activities of audiences. This book aims to address this absence (as compared to television studies) and to explain its cause. The authors argue that there is a social context in which the consumption of film can be understood or studied historically; demonstrating that a concentration on the place of film consumption within the changing cultural politics of the city can offer a compelling and productive focus of analysis. This book examines not only the different meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, terrestrial television transmission, video rental and retail, and satellite/cable), but also the meanings of the activities of film consumption associated with these sites. Through use of archival materials and ethnographic studies of the audience, the book examines the meanings of film consumption from the earliest film showings up to the 21st century. |
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Page 37
... Early Film Consumption The early film period is often seen as one of fluidity and experimentation in which the possibilities of film technologies were explored and contested . The invention of a tech- nology for the projection of moving ...
... Early Film Consumption The early film period is often seen as one of fluidity and experimentation in which the possibilities of film technologies were explored and contested . The invention of a tech- nology for the projection of moving ...
Page 44
... early film con- sumption was the fairground , which early modernists such Eisenstein used to establish an association between early film and the supposedly anti - bourgeois aesthetic of avant- garde art . As Gunning points out , the ...
... early film con- sumption was the fairground , which early modernists such Eisenstein used to establish an association between early film and the supposedly anti - bourgeois aesthetic of avant- garde art . As Gunning points out , the ...
Page 261
... Film Audiences ' , in John Hill and Pamela Church Gibson ( eds ) , The Oxford Guide to Film Studies ( Oxford : Oxford University Press , 1998 ) , pp . 202–12 . Gunning , Tom , ' The Cinema of Attractions : Early Film , its Spectator and ...
... Film Audiences ' , in John Hill and Pamela Church Gibson ( eds ) , The Oxford Guide to Film Studies ( Oxford : Oxford University Press , 1998 ) , pp . 202–12 . Gunning , Tom , ' The Cinema of Attractions : Early Film , its Spectator and ...
Contents
Contexts of Film Consumption | 16 |
Class Gender and Public Space in Early Film Consumption | 37 |
Slum Clearance Cinema Building and Differentiated Experiences | 83 |
Copyright | |
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activities adverts argued associated attract audiences Bouchercon British Broadway Bulwell cable cinema building cinemagoing cinematographic cinematographic theatres city centre city-centre claimed closure concerns consumer context Cornerhouse Council House cultural decline demonstrated domestic Elite entertainment estates example exhibition experience feature film consumption flâneur Gomery Goose Fair Hollywood Hollywood Video home cinema Ibid industry July leisure London Mark Jancovich meanings Media Centre middle classes modernity Morley movie multiplex Nottingham Nottingham Evening Post Nottingham Film Odeon organised period picture by Mark Picture House popular present problem production programme public space relation respondents result Ritz satellite screen seats seen sense Showcase shown silent films simply Sneinton social sound films specific student RMQ suburban suburbs Sunday opening supposedly talkies technologies television viewing town centre video nasties watch women working-class