The Place of the Audience: Cultural Geographies of Film ConsumptionIt has been a recurring complaint both within and against film studies that it has largely ignored the activities of audiences. This book aims to address this absence (as compared to television studies) and to explain its cause. The authors argue that there is a social context in which the consumption of film can be understood or studied historically; demonstrating that a concentration on the place of film consumption within the changing cultural politics of the city can offer a compelling and productive focus of analysis. This book examines not only the different meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, terrestrial television transmission, video rental and retail, and satellite/cable), but also the meanings of the activities of film consumption associated with these sites. Through use of archival materials and ethnographic studies of the audience, the book examines the meanings of film consumption from the earliest film showings up to the 21st century. |
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Page 10
... event special , and distinguish the time together from other more mundane forms of interaction . To the extent that film preferences were a factor , things were not as straightforward as one might expect . In his study of family ...
... event special , and distinguish the time together from other more mundane forms of interaction . To the extent that film preferences were a factor , things were not as straightforward as one might expect . In his study of family ...
Page 52
... event . It claimed that , in 1895–96 , the Kinetograph was brought to an empty shop in Long Row that was tenanted by the printers Allen and Sons . The accuracy of this source is questionable , however , as it then goes on to make the ...
... event . It claimed that , in 1895–96 , the Kinetograph was brought to an empty shop in Long Row that was tenanted by the printers Allen and Sons . The accuracy of this source is questionable , however , as it then goes on to make the ...
Page 192
... event that existed in opposition to television . While one was simply freely available , the other requires an investment of time and effort in taping , hiring or possibly buying a video , and it can also be augmented by other ritual ...
... event that existed in opposition to television . While one was simply freely available , the other requires an investment of time and effort in taping , hiring or possibly buying a video , and it can also be augmented by other ritual ...
Contents
Contexts of Film Consumption | 16 |
Class Gender and Public Space in Early Film Consumption | 37 |
Slum Clearance Cinema Building and Differentiated Experiences | 83 |
Copyright | |
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activities adverts argued associated attract audiences Bouchercon British Broadway Bulwell cable cinema building cinemagoing cinematographic cinematographic theatres city centre city-centre claimed closure concerns consumer context Cornerhouse Council House cultural decline demonstrated domestic Elite entertainment estates example exhibition experience feature film consumption flâneur Gomery Goose Fair Hollywood Hollywood Video home cinema Ibid industry July leisure London Mark Jancovich meanings Media Centre middle classes modernity Morley movie multiplex Nottingham Nottingham Evening Post Nottingham Film Odeon organised period picture by Mark Picture House popular present problem production programme public space relation respondents result Ritz satellite screen seats seen sense Showcase shown silent films simply Sneinton social sound films specific student RMQ suburban suburbs Sunday opening supposedly talkies technologies television viewing town centre video nasties watch women working-class