Language and beyond: actuality and virtuality in the relations between word, image and soundPaul Joret, Aline Remael The title of this book, Language and Beyond, suggests a dynamic relationship between two poles in which language is confronted with an otherness that is apparently fundamental to it, and towards which it is seen to be reaching. But what is the beyond of language? Is it an object or an image? Do images, visual or aural, actually constitute a beyond of language? The interdependence of words might appear to perpetuate an absence instead, and yet signs can also be seen to establish a presence by their very materiality. The articles in this collection investigate and therefore postulate some form of dialogue between word and image, but they also test semiotic borders, examining the various shades of the interdependence, conflict or dominance, and the orientation of the relationship. Ce livre s'adresse aux spécialistes, chercheurs et étudiants, ainsi qu'à un public plus large, aux lecteurs ouverts aux théories, méthodes et pratiques de la recherche interdisciplinaire. Son titre suggère un rapport dynamique entre le langage et ses au-delàs: une bipolarité tour à tour assumée et transgressée, voire intériorisée. Mais quels sont ces au-delàs? Et comment les objets, images, sons ou représentations mentales sont-ils investis ou réinvestis par le langage? Dès lors que la nature séquentielle de ce dernier semble souligner le caractère dérivé et marginal de ses au-delàs, il suffit au contraire de la matérialité même des signes, pour les projeter au coeur de l'expression verbale. Les articles de ce recueil postulent un dialogue entre le mot et l'image, mais scrutent également les confins des systèmes de signes, les modes et degrés de leurs interdépendances et de leurs oppositions. |
Contents
| 37 | |
AnneMarie Christin | 59 |
Nadia StangéZhirovova | 83 |
Giselle de | 97 |
Archibald L H M van Wieringen | 123 |
Word and image in a group of seventeenthcentury protestant prints | 141 |
Terry Royce | 157 |
Helga KohrsKegel | 177 |
Bernard Vouilloux | 255 |
Philiep Bossier | 271 |
Paul Joret | 287 |
Jeremy Thurlow | 309 |
Àron Kibédi Varga | 341 |
Lieven Dhulst | 383 |
Peter Janssens | 415 |
Bernard Bosredon | 449 |
Aline Remael | 203 |
Yves Gambier | 219 |
Walter Weyns | 241 |
Four songs Quatre chants by par Jeremy Thurlow | 465 |
Index | 485 |
Other editions - View all
Common terms and phrases
appear approach artistique Barlach Bataille de Pharsale become Big Breakfast book choices Chopin Claude Simon Cocteau code collage compositional context courrier électronique culture David David and Goliath dessin different discourse English events example experience eyes fact figure film first function Giuseppe Adami hand illustration image interpretation interpreting Jan Baetens Jean Cocteau kind l'écriture l'image language left level light linguistic literary literature littéraire look made make material meaning means Michel Butor Mimì movement musical musique names narration objects painting peinture people perception photographie Picasso picturale picture poem present process Puccini reader reading real realism reality référence relation relationship représentation result right same Sang d'un poète scène screenplay screenwriting seen semiotic sémiotique sense shows social sous-titrage space Stalin story structure synesthésie take television text theory things three time tion Turandot University used verbal view visual visual perception white woman words work world writing years
Popular passages
Page 148 - Be of good comfort, master Ridley, and play the man. We shall this day light such a candle, by God's grace, in England, as I trust shall never be put out.
Page 22 - Tu lis les prospectus les catalogues les affiches qui chantent tout haut Voilà la poésie ce matin et pour la prose il ya les journaux...
Page 100 - I send thee, to open their eyes, that they may turn from darkness to light, and from the power of Satan unto God, that they may receive remission of sins and an inheritance among them that are sanctified by faith in me.
Page 122 - Thou comest to me with a sword, and with a spear, and with a shield: but I come to thee in the name of the LORD of hosts, the God of the armies of Israel, whom thou hast defied.
Page 72 - When one of those at the table with him heard this, he said to Jesus, "Blessed is the man who will eat at the feast in the kingdom of God.
Page 34 - But the relation of language to painting is an infinite relation. It is not that words are imperfect, or that, when confronted by the visible, they prove insuperably inadequate. Neither can be reduced to the other's terms: it is in vain that we say what we see; what we see never resides in what we say.
Page 122 - What shall be done to the man that killeth this Philistine, and taketh away the reproach from Israel ? for who is this uncircumcised Philistine, that he should defy the armies of the living God ? And the people answered him after this manner, saying.
Page 122 - And I went out after him, and smote him and delivered it out of his mouth ; and when he arose against me, I caught him by his beard, and smote him, and slew him. Thy servant slew both the lion and the bear ; and this uncircumcised Philistine shall be as one of them, seeing he hath defied the armies of the living God.
Page xxxii - L'hypotypose peint les choses d'une manière si vive et si énergique, qu'elle les met en quelque sorte sous les yeux, et fait d'un récit ou d'une description, une image, un tableau, ou même une scène vivante.
Page 144 - The same came for a witness, to bear witness of the Light, that all men through him might believe. He was not that Light, but was sent to bear witness of that Light.