The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1854 |
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Page 30
... believe , the only one preserved , -namely , the Xoioios Пúozov , or " Christ in his sufferings , " by Gregory Nazianzen , - possibly written in consequence of the prohibition of profane liter- ature to the Christians by the apostate ...
... believe , the only one preserved , -namely , the Xoioios Пúozov , or " Christ in his sufferings , " by Gregory Nazianzen , - possibly written in consequence of the prohibition of profane liter- ature to the Christians by the apostate ...
Page 33
... believe that our ancestors laughed as heartily , as their posterity do at Grimaldi ; —and not having been told that they would be punished for laughing , they thought it very innocent ; and if their priests had left out murder in the ...
... believe that our ancestors laughed as heartily , as their posterity do at Grimaldi ; —and not having been told that they would be punished for laughing , they thought it very innocent ; and if their priests had left out murder in the ...
Page 59
... believe ourselves at Thebes in one act , we may believe ourselves at Athens in the next . If a story lasts twenty - four hours or twenty - four years , it is equally improbable . There seems to be no just boundary but what the feelings ...
... believe ourselves at Thebes in one act , we may believe ourselves at Athens in the next . If a story lasts twenty - four hours or twenty - four years , it is equally improbable . There seems to be no just boundary but what the feelings ...
Page 68
... believe that Shakspeare could have remained to his twenty - ninth or thirtieth year without attempting poetic compo- sition of any kind ? ) — and that between these and Romeo and Juliet there had intervened one or two other dramas , or ...
... believe that Shakspeare could have remained to his twenty - ninth or thirtieth year without attempting poetic compo- sition of any kind ? ) — and that between these and Romeo and Juliet there had intervened one or two other dramas , or ...
Page 75
... Good wombs have bore bad sons , - Now the condition . Mr. Coleridge writes in the margin : " I can not but believe that Theobald is quite right . " - Ed . but of all those by whom she has been educated NOTES ON THE TEMPEST . 75.
... Good wombs have bore bad sons , - Now the condition . Mr. Coleridge writes in the margin : " I can not but believe that Theobald is quite right . " - Ed . but of all those by whom she has been educated NOTES ON THE TEMPEST . 75.
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common divine Don Quixote drama effect especially excellent excite express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear Lecture Love's Labor's Lost Macbeth means metre Milton mind moral nature never nomos object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton whole words writers
Popular passages
Page 171 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 161 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 83 - A jest's prosperity lies in the ear Of him that hears it ; never in the tongue Of him that makes it...
Page 168 - If chance will have me king, why, chance may crown me, Without my stir.
Page 81 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 158 - I know my course. The spirit that I have seen May be the devil; and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me.
Page 41 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Page 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Page 180 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions; but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.
Page 293 - Or se' tu quel Virgilio, e quella fonte, Che spande di parlar si largo fiume? Risposi lui con vergognosa fronte. O degli altri poeti onore e lume, Vagliami il lungo studio e il grande amore, Che m' ha fatto cercar lo tuo volume. Tu se...