The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1854 |
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Page xi
... individuals on the gratitude of the friends and admirers of Cole- ridge and his works are already well known , and in due season those claims will receive additional confirmation . With these remarks , sincerely conscious of his own ...
... individuals on the gratitude of the friends and admirers of Cole- ridge and his works are already well known , and in due season those claims will receive additional confirmation . With these remarks , sincerely conscious of his own ...
Page 18
... individuals who , without any communication with each other , had only mastered the same principles of philosophic criticism . This was most strikingly evi- denced in the coincidence between my lectures and those of Schlegel ; such ...
... individuals who , without any communication with each other , had only mastered the same principles of philosophic criticism . This was most strikingly evi- denced in the coincidence between my lectures and those of Schlegel ; such ...
Page 22
... individual states She doth abstract the universal kinds , Which then reclothed in divers names and fates Steal access thro ' our senses to our minds . * GREEK DRAMA . ( c ) † It is truly singular that Plato , -whose philosophy and ...
... individual states She doth abstract the universal kinds , Which then reclothed in divers names and fates Steal access thro ' our senses to our minds . * GREEK DRAMA . ( c ) † It is truly singular that Plato , -whose philosophy and ...
Page 24
... individual con- stituents , ―place , verse , characters , even single thoughts , con- ceits , and allusions , each turning on the pivot of its own free will . The tragic poet idealizes his characters by giving to the spir- itual part of ...
... individual con- stituents , ―place , verse , characters , even single thoughts , con- ceits , and allusions , each turning on the pivot of its own free will . The tragic poet idealizes his characters by giving to the spir- itual part of ...
Page 26
... individual should be described or imagined , but yet so that the features which give interest and permanence to the class should be individualized . The old tra- gedy moved in an ideal world , -the old comedy in a fantastic world . As ...
... individual should be described or imagined , but yet so that the features which give interest and permanence to the class should be individualized . The old tra- gedy moved in an ideal world , -the old comedy in a fantastic world . As ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common divine Don Quixote drama effect especially excellent excite express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment king language latter Lear Lecture Love's Labor's Lost Macbeth means metre Milton mind moral nature never nomos object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton whole words writers
Popular passages
Page 171 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 161 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
Page 83 - A jest's prosperity lies in the ear Of him that hears it ; never in the tongue Of him that makes it...
Page 168 - If chance will have me king, why, chance may crown me, Without my stir.
Page 81 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 158 - I know my course. The spirit that I have seen May be the devil; and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me.
Page 41 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Page 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Page 180 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions; but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.
Page 293 - Or se' tu quel Virgilio, e quella fonte, Che spande di parlar si largo fiume? Risposi lui con vergognosa fronte. O degli altri poeti onore e lume, Vagliami il lungo studio e il grande amore, Che m' ha fatto cercar lo tuo volume. Tu se...