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Humanistic elements in the music of William Byrd
for four voices
Progressive elements in music of the Reformed
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accept aria arioso aware bass becomes begins cadence called century ceremonial chorus chromatic comes compared composer convention course creates dance death dissonant divine dominant Dowland drama Edited effect element Elizabethan English experience expressed fact falling false relation feeling fifth final flat follows fourth gives grows Handel harmonic heart heaven heroic hope human kind less light live lyrical major man's masque means merely mind minor modulation mortality move movement natural never night notes once opening opera pain passion perhaps phrase physical piece play poem positive Purcell reality reason reference relative repeated rhythm rising says scale seems sense seventh sharp simple sings social song soprano spirit stanza style suffering suggests sweet tells texture theme third tion tonic traditional true turns vocal voice words