Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong?

Front Cover
Mark T. Conard, Aeon J. Skoble
Open Court Publishing, 2004 - Performing Arts - 269 pages
Comedian, writer, director, actor, musician, and deep thinker, Woody Allen is clearly trying to say something, but what? And why should anyone care? Fifteen philosophers representing different schools of thought answer these questions, focusing on different works and varied aspects of Allen's multifaceted output. These essays explore such topics as how Schopenhauer's theory of humor emerges in Annie Hall; why, for all his apparent pessimism, Allen gives a brighter alternative to the Bogartian nihilism of film noir; the importance of integrity for the Good Life, as found in Manhattan; and the fact that just because the universe is meaningless and life is pointless is no reason to commit suicide. Also here are droll, probing essays on why hedonism is a health hazard, and why, despite the fact that Earth may be swallowed by a black hole and crushed to the size of a peanut, the toilet continues to overflow.
 

Contents

Integrity in Woody Allens Manhattan
24
The Pragmatic Optimism
48
Reading Woody Allen
69
Woody on Aesthetic Appreciation
89
Art and Voyeurism in the Films of Woody Allen
101
Love and Music
118
The Philosophical
132
The Aesthetic Purging of
151
A Midsummer Nights
169
Inauthenticity and Personal Identity in Zelig
186
Plato The Ring of Gyges and Crimes
203
Self Knowledge in Another Woman
218
Crime Love
243
A Woody Allen Filmography
259
Copyright

Other editions - View all

Common terms and phrases

Bibliographic information