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The Author as Producer
Critique of the Image
On the Invention of Photographic Meaning
5 other sections not shown
according actual advertising aesthetic analysis apparatus appeared artist Barthes become called camera codes communication complex concept concerned connotation constituted constructed course criticism culture defined described determined direct discourse effect elements example existence expression fact Figure formation Freud function given hand human iconic idea identify ideology imaginary important included individual institutions language linguistic literary look Marxism material meaning metaphor nature notion object observes operation original painting particular perception photograph picture political position possible practice present problem production question reading realism reality recognise reference relations relationship representation represented rhetoric Russian seen sense separate shows signifier simply situation social society speak specific stands structure Studies theory things thought tion truth unconscious universal visual writing York