Macmillan Education UK, Mar 11, 1982 - Photography - 239 pages
He develops an account of the production of the meaning of a photograph within social institutionsadvertising, journalism, art - within a society with a history and within the unconscious.
The Author as Producer
Critique of the Image
The Currency of the Photograph
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advertising aesthetic Alexander Rodchenko Althusser analysis apparatus articulation artist Barthes become Benjamin Berenice Abbott bourgeois Brecht camera cinema codes commutation test complex concept connotation constituted criticism Cubism culture Diane Arbus discourse situation dream elements essays example fact Figure film formation Foucault Freud function graphy Hine human Ibid iconic sign identify Ideological State Apparatuses ideology imaginary language Lee Friedlander Lewis Hine linguistic literary look Marx Marxist meaning metaphor metonymic Modernist nature notion Novy Lef object painting perception phantasy photographic image photography theory photomontage picture political position production proletariat realism reality recognise relations representation represented reproduction revolution rhetoric Rodchenko Roland Barthes Russian Futurism Saussure semes semiology semiotics sense Shklovsky signifier social society specific Stieglitz structure Stryker syllepsis syntagm technique tion Tolstoy Tretyakov truth Umberto Eco unconscious Victor Burgin visual Walter Benjamin words writing