Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 194
... first rehearsal get a command of the production that nothing will shake afterwards . There will be no time wasted in fumbling for positions , and trying back and disputing . When you have put your actors through an act for the first ...
... first rehearsal get a command of the production that nothing will shake afterwards . There will be no time wasted in fumbling for positions , and trying back and disputing . When you have put your actors through an act for the first ...
Page 206
... first . The problem now arises : " How can we in the theater confine our- selves to the unconscious mind ? " The hypnotist has supplied us with the answer : " Still the conscious mind . " The hypnotist's first effort is to render ...
... first . The problem now arises : " How can we in the theater confine our- selves to the unconscious mind ? " The hypnotist has supplied us with the answer : " Still the conscious mind . " The hypnotist's first effort is to render ...
Page 207
... first be struck by the director . If he cannot get his effects in this way , he can scarcely hope that the people ... first performance comes they scarcely realize that anything in particular has been done . The first step in ...
... first be struck by the director . If he cannot get his effects in this way , he can scarcely hope that the people ... first performance comes they scarcely realize that anything in particular has been done . The first step in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words