Directors on directing: a source book of the modern theater |
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Page 366
Blanche's last desperate effort to save herself by telling the whole truth. The truth
dooms her. ID. Blanche escapes out of this world. She is brought back by Stanley
and destroyed. 1 1 . Blanche is disposed of. The style— the real deep style— ...
Blanche's last desperate effort to save herself by telling the whole truth. The truth
dooms her. ID. Blanche escapes out of this world. She is brought back by Stanley
and destroyed. 1 1 . Blanche is disposed of. The style— the real deep style— ...
Page 371
Blanche is a stylized character, she should be played, should be dressed, should
move like a stylized figure. What is the physicaliza- tion of an aristocratic woman
pregnant with her own doom? . . . Behaving by a tradition that dooms her in this ...
Blanche is a stylized character, she should be played, should be dressed, should
move like a stylized figure. What is the physicaliza- tion of an aristocratic woman
pregnant with her own doom? . . . Behaving by a tradition that dooms her in this ...
Page 372
STELLA Spine— hold onto Stanley (Blanche the antagonist). One reason Stella
submits to Stanley's solution at the end, is perfectly ready to, is that she has an
unconscious hostility toward Blanche. Blanche is so patronizing, demanding and
...
STELLA Spine— hold onto Stanley (Blanche the antagonist). One reason Stella
submits to Stanley's solution at the end, is perfectly ready to, is that she has an
unconscious hostility toward Blanche. Blanche is so patronizing, demanding and
...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
24 other sections not shown
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words