Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 74
... theatrical imagination and literary skill at the service of the group expression which he felt to be the major contribution of the Guild's methods of production in the early days . The ferment of the thirties added a striking social and ...
... theatrical imagination and literary skill at the service of the group expression which he felt to be the major contribution of the Guild's methods of production in the early days . The ferment of the thirties added a striking social and ...
Page 75
... Group Theatre actor. Operating room in the Group Theatre production of Men in White . Design by Mordecai Gorelik . The Emergence of the Director 75.
... Group Theatre actor. Operating room in the Group Theatre production of Men in White . Design by Mordecai Gorelik . The Emergence of the Director 75.
Page 76
... theater , whose limited rehearsal schedules and repertory he de- plores . As artistic head of the Repertory Theatre at the Lincoln Center of Performing Arts , where he is associated with Robert Lewis , another distinguished Group Theatre ...
... theater , whose limited rehearsal schedules and repertory he de- plores . As artistic head of the Repertory Theatre at the Lincoln Center of Performing Arts , where he is associated with Robert Lewis , another distinguished Group Theatre ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words