Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page v
... Harold Clurman , who allowed us to use unpublished material , and to those other contemporary directors , noted in the text , who per- mitted us to reprint articles originally published elsewhere . We want to acknowledge the assistance ...
... Harold Clurman , who allowed us to use unpublished material , and to those other contemporary directors , noted in the text , who per- mitted us to reprint articles originally published elsewhere . We want to acknowledge the assistance ...
Page 272
... Harold Clurman : " In a Different Language , " Theatre Arts , Vol . XXXIV , January 1950 , 18-20 . By permission of Harold Clurman . are there directors , far less acute than the playwrights 272 Harold Clurman In a Different Language.
... Harold Clurman : " In a Different Language , " Theatre Arts , Vol . XXXIV , January 1950 , 18-20 . By permission of Harold Clurman . are there directors , far less acute than the playwrights 272 Harold Clurman In a Different Language.
Page 380
... thinking back on the purity of their first contact with life . By permission of Harold Clurman . The production style . Poetic - which means concentrated : 380 Harold Clurman Some Preliminary Notes for The Member of the Wedding.
... thinking back on the purity of their first contact with life . By permission of Harold Clurman . The production style . Poetic - which means concentrated : 380 Harold Clurman Some Preliminary Notes for The Member of the Wedding.
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words