Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 354
... Hippolytus has been charming in his sincerity . Phaedra has turned around . She is lashed by her passion . Her voice is in her throat . All her blood literally races at the charm of Hippolytus ' voice . The " Ah " she utters is a cry of ...
... Hippolytus has been charming in his sincerity . Phaedra has turned around . She is lashed by her passion . Her voice is in her throat . All her blood literally races at the charm of Hippolytus ' voice . The " Ah " she utters is a cry of ...
Page 357
... Hippolytus comes up to Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra ...
... Hippolytus comes up to Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra ...
Page 360
... HIPPOLYTUS : Forgive me , madam ! With a blush I own That I mistook your words , quite innocent . For very shame I cannot see you longer- Hippolytus , the pure and candid Hippolytus , has been mistaken . Now it is his turn to feel a ...
... HIPPOLYTUS : Forgive me , madam ! With a blush I own That I mistook your words , quite innocent . For very shame I cannot see you longer- Hippolytus , the pure and candid Hippolytus , has been mistaken . Now it is his turn to feel a ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words