Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 45
... Jacques Copeau , Max Reinhardt , and Vsevolod Meyerhold the director reached the acme of his powers . Both as practicing director and as theorist , the ascetic Jacques Copeau revealed in their finest and most dedicated form all the pre ...
... Jacques Copeau , Max Reinhardt , and Vsevolod Meyerhold the director reached the acme of his powers . Both as practicing director and as theorist , the ascetic Jacques Copeau revealed in their finest and most dedicated form all the pre ...
Page 214
A Source Book of the Modern Theater Toby Cole, Helen Krich Chinoy. JACQUES COPEAU ( 1878-1949 ) Dramatic Economy Every work intended for performance on the stage involves direct- ing . Since there are ... Jacques Copeau Dramatic Economy.
A Source Book of the Modern Theater Toby Cole, Helen Krich Chinoy. JACQUES COPEAU ( 1878-1949 ) Dramatic Economy Every work intended for performance on the stage involves direct- ing . Since there are ... Jacques Copeau Dramatic Economy.
Page 445
... Jacques Copeau et le Cartel des Quatre . Paris : A. G. Nizet , 1959 . Bentley , Eric : " Copeau and the Chimera , " in In Search of Theater . New York : Knopf , 1953 , 256-265 . Doisy , Marchel : Jacques Copeau , ou l'absolu dans l'art ...
... Jacques Copeau et le Cartel des Quatre . Paris : A. G. Nizet , 1959 . Bentley , Eric : " Copeau and the Chimera , " in In Search of Theater . New York : Knopf , 1953 , 256-265 . Doisy , Marchel : Jacques Copeau , ou l'absolu dans l'art ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words