Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 3
Page 290
... ( Kostilyoff enters quietly and stealthily moves forward . ) The audience must not notice where Kostilyoff appears from . It seems as though he materialized out of thin air . The chart indicates how the actor comes on . When the audience ...
... ( Kostilyoff enters quietly and stealthily moves forward . ) The audience must not notice where Kostilyoff appears from . It seems as though he materialized out of thin air . The chart indicates how the actor comes on . When the audience ...
Page 291
... Kostilyoff . Vassilisa's eyes are riveted on Pepel . They seem to goad him on to murder . An awk- ward pause . Kostilyoff tries to collect himself . He is frightened by his own screams and Pepel's look . Pepel's fingers tighten their ...
... Kostilyoff . Vassilisa's eyes are riveted on Pepel . They seem to goad him on to murder . An awk- ward pause . Kostilyoff tries to collect himself . He is frightened by his own screams and Pepel's look . Pepel's fingers tighten their ...
Page 292
... KOSTILYOFF ) : Go away - clear out of here— KOSTILYOFF ( yelling ) : What ? I ? The Boss ? I get out ? You thief ! They stand face to face at a short distance . Glare at each other like two beasts ready to pounce . Both are trembling ...
... KOSTILYOFF ) : Go away - clear out of here— KOSTILYOFF ( yelling ) : What ? I ? The Boss ? I get out ? You thief ! They stand face to face at a short distance . Glare at each other like two beasts ready to pounce . Both are trembling ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
28 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words