Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 320
... lectures with such ardor that he quite forgets himself . I once listened to him . As long as he was holding forth about the Assyrians and Babylonians , it was all right , but when he got on Alexander of Macedon , I can't describe his ...
... lectures with such ardor that he quite forgets himself . I once listened to him . As long as he was holding forth about the Assyrians and Babylonians , it was all right , but when he got on Alexander of Macedon , I can't describe his ...
Page 426
... lecture delivered at the Universities of Canada Seminar at the Stratford Shakespearean Festival , Stratford , Ontario , August 16 , 1961. By permission of Michael Langham . Michael Langham is the director of the Shakespearean Festival ...
... lecture delivered at the Universities of Canada Seminar at the Stratford Shakespearean Festival , Stratford , Ontario , August 16 , 1961. By permission of Michael Langham . Michael Langham is the director of the Shakespearean Festival ...
Page
... Lecturer in Drama Carnegie Institute of Technology " DIRECTORS ON DIRECTING , especially in this revised and enlarged edition , is one of the most valuable source books of the modern theater that we have . It is a book that has been ...
... Lecturer in Drama Carnegie Institute of Technology " DIRECTORS ON DIRECTING , especially in this revised and enlarged edition , is one of the most valuable source books of the modern theater that we have . It is a book that has been ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words