Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 351
... Phaedra , Act II , Scene V In Reflections on the Theatre , Jean - Louis Barrault writes about Phaedra : " A classic is like a hidden treasure . Its core is buried under so many layers of varnish , so many polishings , that it can be ...
... Phaedra , Act II , Scene V In Reflections on the Theatre , Jean - Louis Barrault writes about Phaedra : " A classic is like a hidden treasure . Its core is buried under so many layers of varnish , so many polishings , that it can be ...
Page 357
... Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra , still leaning on Oenone ...
... Phaedra , leans over her , his face above her face . Misinterpreting the situation , he is attentive to Phaedra , exciting her passion all the more . PHAEDRA : Ah , for Theseus I languish and I long , Phaedra , still leaning on Oenone ...
Page 360
... Phaedra were taken at this moment , one would attach to it a sign reading : " Danger ! Live Wire ! " - like the ... PHAEDRA : Ah , prince , you understood me , — A single cry stops Hippolytus dead in his tracks . It is Phaedra's " Ah ...
... Phaedra were taken at this moment , one would attach to it a sign reading : " Danger ! Live Wire ! " - like the ... PHAEDRA : Ah , prince , you understood me , — A single cry stops Hippolytus dead in his tracks . It is Phaedra's " Ah ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words