Directors on directing: a source book of the modern theater |
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Page 351
1910) Mise en Scene of Phaedra, Act n, Scene v In Reflections on the Theatre,
Jean-Louis Barrault writes about Phaedra: "A classic is like a hidden treasure. Its
core is buried under so many layers of varnish, so many polishings, that it can be
...
1910) Mise en Scene of Phaedra, Act n, Scene v In Reflections on the Theatre,
Jean-Louis Barrault writes about Phaedra: "A classic is like a hidden treasure. Its
core is buried under so many layers of varnish, so many polishings, that it can be
...
Page 357
Happiness makes people generous: hence Hippolytus comes up to Phaedra,
leans over her. his face above her face. Misinterpreting the situation, he is
attentive to Phaedra, exciting her passion all the more. PHAEDRA: Ah, for
Theseus I ...
Happiness makes people generous: hence Hippolytus comes up to Phaedra,
leans over her. his face above her face. Misinterpreting the situation, he is
attentive to Phaedra, exciting her passion all the more. PHAEDRA: Ah, for
Theseus I ...
Page 360
1l a snapshot of Phaedra were taken at this moment, one would attach to it a sign
reading: "Danger! Live Wire!"— like the warnings displayed on high-tension wires
. Ashen pale, she proffers her vague and frightening threat. HIPPOLYTUS: ...
1l a snapshot of Phaedra were taken at this moment, one would attach to it a sign
reading: "Danger! Live Wire!"— like the warnings displayed on high-tension wires
. Ashen pale, she proffers her vague and frightening threat. HIPPOLYTUS: ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words