Directors on directing: a source book of the modern theater |
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Page 423
PETER HALL Speaking has lagged behind other aspects of present-day
production. Shakespearean actors need a great deal of practice. They do not get
it. Those who can act Shakespeare have been doing so on and off for twenty
years.
PETER HALL Speaking has lagged behind other aspects of present-day
production. Shakespearean actors need a great deal of practice. They do not get
it. Those who can act Shakespeare have been doing so on and off for twenty
years.
Page 424
to stage a Shakespeare play you cannot also teach your cast to speak him.
Consider the case history of a young actor. He is singled out at drama school and
does a term in repertory during which he will play one or two Shakespearean
parts if ...
to stage a Shakespeare play you cannot also teach your cast to speak him.
Consider the case history of a young actor. He is singled out at drama school and
does a term in repertory during which he will play one or two Shakespearean
parts if ...
Page 432
Because we want to attract a wide audience for Shakespeare, we don't charge
admission. Our audience is therefore made up largely of people who have never
seen professional theater. But they have been to the movies and they watch ...
Because we want to attract a wide audience for Shakespeare, we don't charge
admission. Our audience is therefore made up largely of people who have never
seen professional theater. But they have been to the movies and they watch ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words