Directors on directing: a source book of the modern theater |
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Page 241
It will be noted, not without astonishment I trust, that I have not actually called any
of the constituents of our street scene— or, it follows, of our theater— artistic. Our
demonstrator could carry through his demonstration successfully enough with ...
It will be noted, not without astonishment I trust, that I have not actually called any
of the constituents of our street scene— or, it follows, of our theater— artistic. Our
demonstrator could carry through his demonstration successfully enough with ...
Page 242
There is a measure of artistic skill in everyone. It cannot hurt to remember this
when talking of great art. Undoubtedly the skills we call artistic can always be
called into play within the bounds established by our model. They will function as
...
There is a measure of artistic skill in everyone. It cannot hurt to remember this
when talking of great art. Undoubtedly the skills we call artistic can always be
called into play within the bounds established by our model. They will function as
...
Page 260
no matter how good in itself, does not give us the right to think of the work written
on it as high artistry, and knowing that the theme also always demands a full
artistic treatment, many of us, for some reason, do not pause for long or very
deeply ...
no matter how good in itself, does not give us the right to think of the work written
on it as high artistry, and knowing that the theme also always demands a full
artistic treatment, many of us, for some reason, do not pause for long or very
deeply ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words
Bibliographic information
| Title | Directors on directing: a source book of the modern theater |
| Authors | Toby Cole, Helen Krich Chinoy |
| Editors | Toby Cole, Helen Krich Chinoy |
| Contributors | Toby Cole, Helen Krich Chinoy |
| Edition | revised |
| Publisher | Bobbs-Merrill, 1963 |
| Length | 464 pages |
| Subjects | › › Drama / General Performing Arts / General Performing Arts / Theater / Direction & Production Performing Arts / Theater / General |
| Export Citation | BiBTeX EndNote RefMan |