Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 77
... audience . When an audience feels that it is really at one with a theater ; when audience and theater - people feel that they are both the answer to one another , and that both may act as leader to one another , there we have the ...
... audience . When an audience feels that it is really at one with a theater ; when audience and theater - people feel that they are both the answer to one another , and that both may act as leader to one another , there we have the ...
Page 211
... audience . I further believe that an audience unconsciously appraises his character . It soon discovers if he is all actor or part man , and its appraisal of his performance is more determined by its uncon- scious exploration of his ...
... audience . I further believe that an audience unconsciously appraises his character . It soon discovers if he is all actor or part man , and its appraisal of his performance is more determined by its uncon- scious exploration of his ...
Page 422
... audience enters a theater , its imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial antipictorial gesture of the production makes it clear that no picture is going to be ...
... audience enters a theater , its imagination is completely open . If , as in Our Town , it finds the curtain up , the stage bare , then the initial antipictorial gesture of the production makes it clear that no picture is going to be ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words