Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 206
... begins first with the manuscript , continues through the designing of the settings , and follows carefully every ... begin by discarding conscious irritation , proceed to an uncon- scious introduction , and then abide by the conscious ...
... begins first with the manuscript , continues through the designing of the settings , and follows carefully every ... begin by discarding conscious irritation , proceed to an uncon- scious introduction , and then abide by the conscious ...
Page 291
... begins to advance on Vassilisa . She does not make a move , stands calmly , her arms folded . Pepel is holding on to the door , his fingers gripping it tensely . He can hardly control his temper . Pepel makes a move as though to pounce ...
... begins to advance on Vassilisa . She does not make a move , stands calmly , her arms folded . Pepel is holding on to the door , his fingers gripping it tensely . He can hardly control his temper . Pepel makes a move as though to pounce ...
Page 368
... begins to forget them , be- gins to live in fantasy , begins to rationalize and explain them to her- self thus : " I never was hard or self - sufficient enough . . . men don't see women unless they are in bed with them . They don't ...
... begins to forget them , be- gins to live in fantasy , begins to rationalize and explain them to her- self thus : " I never was hard or self - sufficient enough . . . men don't see women unless they are in bed with them . They don't ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words