Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 100
... character they represent , and that at certain moments in the action their hands , their back , and their feet can be more expressive than any oral ranting ; That every time the actor is revealed beneath the character , the dramatic ...
... character they represent , and that at certain moments in the action their hands , their back , and their feet can be more expressive than any oral ranting ; That every time the actor is revealed beneath the character , the dramatic ...
Page 211
... character to surrender themselves completely , strip themselves of every conscious trick , disdaining to court approval by commanding it by the very honesty of their aims . I firmly believe that an actor's mental attitude is instantly ...
... character to surrender themselves completely , strip themselves of every conscious trick , disdaining to court approval by commanding it by the very honesty of their aims . I firmly believe that an actor's mental attitude is instantly ...
Page 238
... character . Thus , the conventional theater shields actions from criticism . Actions are presented as proceeding , ineluctably , according to laws of nature , from the character of those who perform them . For our demonstra- tor , on ...
... character . Thus , the conventional theater shields actions from criticism . Actions are presented as proceeding , ineluctably , according to laws of nature , from the character of those who perform them . For our demonstra- tor , on ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words