Directors on directing: a source book of the modern theater |
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Page 100
These actors know: That movement is the actor's most intense means of
expression; That their whole physical make-up is part of the character they
represent, and that at certain moments in the action their hands, their back, and
their feet can ...
These actors know: That movement is the actor's most intense means of
expression; That their whole physical make-up is part of the character they
represent, and that at certain moments in the action their hands, their back, and
their feet can ...
Page 129
Sometimes a poor girl of the street has attracted my attention because she was
like a character I had in mind. I have sent for her and bought her dress, hat, shoes
, and stockings. My wardrobe people have rummaged for weeks through ...
Sometimes a poor girl of the street has attracted my attention because she was
like a character I had in mind. I have sent for her and bought her dress, hat, shoes
, and stockings. My wardrobe people have rummaged for weeks through ...
Page 238
Such is the field which our demonstrator draws his characters from. The victim
may have had a companion. The chauffeur may have had his girl on the seat
beside him. That would bring the social factor into play all the more. The
characters ...
Such is the field which our demonstrator draws his characters from. The victim
may have had a companion. The chauffeur may have had his girl on the seat
beside him. That would bring the social factor into play all the more. The
characters ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words