Directors on directing: a source book of the modern theater |
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Page 77
A theater in our country today should aim to create an audience. When an
audience feels that it is really at one with a theater; when audience and theater-
people feel that they are both the answer to one another, and that both may act
as ...
A theater in our country today should aim to create an audience. When an
audience feels that it is really at one with a theater; when audience and theater-
people feel that they are both the answer to one another, and that both may act
as ...
Page 109
I am told that we must create directors, but I must say that this question has never
been clear to me. My experience tells me that you cannot create a director— a
director is born. It is possible to create a favorable atmosphere in which he can ...
I am told that we must create directors, but I must say that this question has never
been clear to me. My experience tells me that you cannot create a director— a
director is born. It is possible to create a favorable atmosphere in which he can ...
Page 114
But that is a trap. The question is not in the life of the human body. In order to
create the life of the human body we must create the life of the human soul. From
it you create the logic of action, you create the inner line, but give it form
externally.
But that is a trap. The question is not in the life of the human body. In order to
create the life of the human body we must create the life of the human soul. From
it you create the logic of action, you create the inner line, but give it form
externally.
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words