Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 149
... director before the actors ? STAGE - DIRECTOR : Yes ; the relation of the stage - director to the actor is precisely the same as that of the conductor to his orchestra , or of the publisher to his printer . PLAYGOER : And you consider ...
... director before the actors ? STAGE - DIRECTOR : Yes ; the relation of the stage - director to the actor is precisely the same as that of the conductor to his orchestra , or of the publisher to his printer . PLAYGOER : And you consider ...
Page 159
... director who abides by it . PLAYGOER : And that director , why should he not be an actor or a scene - painter ? Stage - Director : Do you pick your leader from the ranks , exalt him to be captain , and then let him handle the guns and ...
... director who abides by it . PLAYGOER : And that director , why should he not be an actor or a scene - painter ? Stage - Director : Do you pick your leader from the ranks , exalt him to be captain , and then let him handle the guns and ...
Page 162
... DIRECTOR : What ? Shall anything be lacking when the poet shall no longer write for the theater ? PLAYGOER : The play will be lacking . STAGE - DIRECTOR : Are you sure of that ? PLAYGOER : Well , the play will certainly not exist if the ...
... DIRECTOR : What ? Shall anything be lacking when the poet shall no longer write for the theater ? PLAYGOER : The play will be lacking . STAGE - DIRECTOR : Are you sure of that ? PLAYGOER : Well , the play will certainly not exist if the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words