Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 127
... feeling . They are as essential to every work of dramatic art as blood is to life . The greatest part of my success in the theater I attribute to my feeling for colors , translated into effects of light . Sometimes these effects have ...
... feeling . They are as essential to every work of dramatic art as blood is to life . The greatest part of my success in the theater I attribute to my feeling for colors , translated into effects of light . Sometimes these effects have ...
Page 176
... feeling that only an orchestra could reveal Mystery to the audience . In " Drama , " likewise , the word is not ... feelings . Plastic gestures are not new . Salvini in Othello or Hamlet always used plastic movements . True , this was ...
... feeling that only an orchestra could reveal Mystery to the audience . In " Drama , " likewise , the word is not ... feelings . Plastic gestures are not new . Salvini in Othello or Hamlet always used plastic movements . True , this was ...
Page 186
... feelings , and truth there must be in both - the theaters of Meyerhold and Stanislavsky . Feeling is the same in theater and life , but the means and methods of presenting them are different . The grouse is the same , whether served in ...
... feelings , and truth there must be in both - the theaters of Meyerhold and Stanislavsky . Feeling is the same in theater and life , but the means and methods of presenting them are different . The grouse is the same , whether served in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words