Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 291
... happened to discover the rendezvous . Forgive me , O Lord . . . Breathing heavily , backs away , looking fearfully at Pepel . Trembles . Speaks in a tone of phony holiness . Vassilisa - again you've led me into the path of sin . The ...
... happened to discover the rendezvous . Forgive me , O Lord . . . Breathing heavily , backs away , looking fearfully at Pepel . Trembles . Speaks in a tone of phony holiness . Vassilisa - again you've led me into the path of sin . The ...
Page 366
... in fact her whole life has been for nothing . Even the Alan Gray incident as she now tells it and believes it to have been , is a necessary piece of romanticism . Essen- tially , in outline , she tells what happened , 366 Elia Kazan.
... in fact her whole life has been for nothing . Even the Alan Gray incident as she now tells it and believes it to have been , is a necessary piece of romanticism . Essen- tially , in outline , she tells what happened , 366 Elia Kazan.
Page 393
... happened with Frank Norman's Fings Ain't Wot They Used T'Be : Frank sat in at all our rehearsals . He improvised with us as an actor , and when new script was needed , the way it was produced was by Frank improvising it himself on the ...
... happened with Frank Norman's Fings Ain't Wot They Used T'Be : Frank sat in at all our rehearsals . He improvised with us as an actor , and when new script was needed , the way it was produced was by Frank improvising it himself on the ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words