Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 6
... hear his voice in Hamlet's advice to the players . He was one of them , coaching and coaxing his actors to conform to his standards . Dissatisfied with the physical limitations of their own stages , they could sympathize with ...
... hear his voice in Hamlet's advice to the players . He was one of them , coaching and coaxing his actors to conform to his standards . Dissatisfied with the physical limitations of their own stages , they could sympathize with ...
Page 176
... hear the words , but to guess the inner , concealed feelings . And if the direc- tor , absorbed in the author's theme , hears the inner music , then he will propose to the actors plastic movements which will enable the spectator to hear ...
... hear the words , but to guess the inner , concealed feelings . And if the direc- tor , absorbed in the author's theme , hears the inner music , then he will propose to the actors plastic movements which will enable the spectator to hear ...
Page 437
... hear . If they can't see the concept , or hear the concept , it does not exist for them . Only if we examine the inner truth of every moment of a play , and then securely select and control that moment's outer form , vocal and physical ...
... hear . If they can't see the concept , or hear the concept , it does not exist for them . Only if we examine the inner truth of every moment of a play , and then securely select and control that moment's outer form , vocal and physical ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words