Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 114
... human body . In order to create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts ...
... human body . In order to create the life of the human body we must create the life of the human soul . From it you create the logic of action , you create the inner line , but give it form externally . If you go through three- four acts ...
Page 142
... human body does not seek to produce the illusion of reality since it is itself reality ! What it demands of the décor is simply to set in relief this reality . This results inevitably in a shift in the aim of the stage set : in the one ...
... human body does not seek to produce the illusion of reality since it is itself reality ! What it demands of the décor is simply to set in relief this reality . This results inevitably in a shift in the aim of the stage set : in the one ...
Page 426
... human values gaining more attention than the poetic - which is folly , for the poetic values have in the theater the power to create an experience of sublime human ecstasy , and are unquestionably more important . But , conversely ...
... human values gaining more attention than the poetic - which is folly , for the poetic values have in the theater the power to create an experience of sublime human ecstasy , and are unquestionably more important . But , conversely ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words