Directors on directing: a source book of the modern theater |
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Page 162
STAGE-DIRECTOR: Well, but is it not permissible to give an idea whatever form
the artist chooses? PLAYGOER: Yes. STAGE-DIRECTOR: And is it an
unpardonable crime for the theatrical artist to use some different material to the
poet's?
STAGE-DIRECTOR: Well, but is it not permissible to give an idea whatever form
the artist chooses? PLAYGOER: Yes. STAGE-DIRECTOR: And is it an
unpardonable crime for the theatrical artist to use some different material to the
poet's?
Page 252
The movements of the play are almost all concerned with the expression of ideas
and not of action. If there is action, it is very short-lived and very brief. The
choreography is much more concerned with the subtle delineation of emotions by
the ...
The movements of the play are almost all concerned with the expression of ideas
and not of action. If there is action, it is very short-lived and very brief. The
choreography is much more concerned with the subtle delineation of emotions by
the ...
Page 397
But she won't come the Boss-Director on you. If an actor has an idea and she has
an idea, you have full time and opportunity to debate, try it out, and quite often a
compromise is found. She is very willing to chuck out her idea if yours is better.
But she won't come the Boss-Director on you. If an actor has an idea and she has
an idea, you have full time and opportunity to debate, try it out, and quite often a
compromise is found. She is very willing to chuck out her idea if yours is better.
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words