Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 41
... interpretation of the drama to a single person . " In Die Musik und die Inscenierung ( 1895 ) Appia assigned that interpretation to the director . " The man we call director today , " he wrote , " whose job consists in merely arranging ...
... interpretation of the drama to a single person . " In Die Musik und die Inscenierung ( 1895 ) Appia assigned that interpretation to the director . " The man we call director today , " he wrote , " whose job consists in merely arranging ...
Page 172
... interpretation of the piece . I think a symphony orchestra without a conductor is possible ; but it is not possible to draw a parallel between an orchestra without a conductor and a theater in which the actors perform on stage com ...
... interpretation of the piece . I think a symphony orchestra without a conductor is possible ; but it is not possible to draw a parallel between an orchestra without a conductor and a theater in which the actors perform on stage com ...
Page 270
... interpretation . The text is there , rich in stage directions embodied in the lines themselves ( locale , reactions , attitudes , setting , costume , etc. ) ; one need only have the sense to follow them . What- ever is created , beyond ...
... interpretation . The text is there , rich in stage directions embodied in the lines themselves ( locale , reactions , attitudes , setting , costume , etc. ) ; one need only have the sense to follow them . What- ever is created , beyond ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words